Forgotten Island and Primetime were both incredible movies.
FORGOTTEN ISLAND
Forgotten Island is over-flowing with stunning, unique, wildly creative, and highly stylistic visuals. Literally one of the most gorgeous films you’ll see this year. This is one film that was tailor made for 3-D and when viewed in this format, the results do not disappoint. Our leads are a lot of fun to spend time with. H.E.R voices Jo and Liza Soberano voices Raissa, our BFFs and protagonists. They have fantastic chemistry and are believable as life-long buddies.
Dave Franco voices Raww, a were-aspin (or were-dog) whom is hated pretty much all across the titular island due to his antics. Manny Jacinto voices Bungi, a Tiyanak (a mythical big baby demon) who befriends our leads. Kevin McCann voices Prince Mermahn, a hot Kataw (a Merman) whom has some issues with telling the truth. There’s also Jenny Slate as Batiba, a Batibat (another demon) who offers to help our friends but for a steep price. As for villains, Lea Salonga voices Manang, a terrifying Manananggal (a winged demon) who is on the hunt for Jo and Raissa after they stole her wings.
There isn’t a whole lot of plot as the majority of the film follows our leads as they traverse the island in search of a magical sand dollar that will transport them back home. The first act sets up the story concerning two friends who might be growing apart, the second act detours into an action-adventure-fantasy, and the third act returns to the story and brings it all home. The last act low-key turns into Eternal Sunshine of the Spotless Mind (a welcome and delightful surprise). Forgotten Island introduces mass audiences to the rich and colorful folklore and culture of the Philippines. There are also strong messages involving the power and importance of memories and friendship.
Joel Crawford and Januel P. Mercado, the directors of the phenomenal Puss in Boots: The Last Wish, are in the director’s seats for Forgotten Island. On full display is their charming ADHD brand of humor, innovative and eclectic style, and strong beating heart at the core of it all. They’ve crafted another winner. Forgotten Island is absolutely another one of the best films of 2026.
4.5 STARS
PRIMETIME
This film is unsettling, uncomfortable, unexpectedly funny, and deeply disturbing. It acts as a deep, probing examination of To Catch A Predator and Chris Hansen. Jonathan Lipnicki, Alex Winters, Anna Farris, and Tony Revolori are all great in surprise roles.
Skyler Gisondo is magnificent as Dan Plumb, the newest decoy for To Catch A Predator. He starts out naive and excited, accepting the role only as a way to hopefully secure an SAG card. As his time with the show continues, we watch him grow jaded and cynical as he begins to question the ethics of the production. Merritt Wever is also great and compelling as Andie Bender, a producer for To Catch A Predator who winds up questioning the ethics and methods of the show as well.
Robert Pattinson is absolutely superb as Chris Hansen. Hansen is not portrayed so much as a villain (an antagonist, sure!) but more as an insecure, narcissistic, egotistical, self-deluded, and deeply flawed man who sees himself as an avenging angel of sorts. He seems to believe he is doing good and yearns to be a legitimate, respected journalist. Despite his protestations to the opposite, he’s really only in this for fame, fortune, and self-publicity/self-promotion.
Pattinson completely nails Hansen’s vocal inflections, manner of speaking, unique accent, and way he carries himself. Much like the real Hansen, Pattinson is darkly charismatic. He dominates the screen whenever he’s on and is impossible to take your eyes off of. Expect him to land an Oscar nomination this year.
Documentarian Lance Oppenheim writes and directs, doing both with ease, confidence, and finesse. David Bolan handles cinematography and Daniel Garber handles editing duties. Due to their hard work, Primetime can look downright transcendent and hypnotic at the best of times, but often has a tactile VHS grain.
Primetime aims to be the modern day Network. It might just succeed in its goal (I’m still undecided as far as how successful Primetime is at this). Primetime invites audiences to self-reflect on the unethical craze of To Catch A Predator and the roles we all played in choosing to eagerly and excitedly devour what it was feeding us. The end product will likely leave most deeply shaken.
4.5 STARS