Halloween Horror Nights 33 (UOR) - Reviews, Photos, & Videos | Page 2 | Inside Universal Forums

Halloween Horror Nights 33 (UOR) - Reviews, Photos, & Videos

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I somewhat last minute was able to make plans to attend Premium Scream Night, and thought it was an amazing experience. We got very lucky with the weather - no rain! - and it was amazing how almost every house was a walk-on. (The longest I waited was for A Quiet Place, for about twenty minutes, but that was towards the start of the event and I think, perhaps, they were gearing up.) Food lines could ironically be a bit longer, but not bad at all by normal standards. Basically, this was what was advertised, and I felt very spoiled by the end of the night. I spent a good amount of time in all of the scare zones, did all but two of the houses twice, did the tribute store, stopped at four or five food booths, visited Diagon Alley, and had time to spare before the end of the night. Awesome!

In case anyone wants a longer (non-spoiler) rundown...

Houses: All in all, a very satisfying group. As most others are saying, Insidious: The Further is probably the highlight - well done, scary, creative flow, basically everything that an Insidious anthology house should do, they nailed. In terms of the other IPs, I thought Eternal Bloodlines had a lot of the classic sets and creatures you want, so I was quite satisfied, though you might argue the narrative is a bit choppy; Ghostbusters: Frozen Empire was not scary but was a lot of fun, and more impressive than I expected given the movie was just okay for me; A Quiet Place had very cool/impressive creatures though the IP is not my favorite so it did less for me (and the quiet thing did not really register for me). My favorite original was Goblin's Feast, which was as hilarious and gory as anticipated, with tons of great creature designs. Slaughter Sinema 2 had some excellent scenes and just feels like a party while you are going through it. I also liked Triplets of Terror quite a lot, grungy and mean as it should be. Monstruous was an incredible house in Hollywood and many of the great elements were carried over to the Orlando iteration, but I think the house worked better in Hollywood; perhaps the sound stage or the lighting made the vibe feel less distinct. Major Sweets has some good comedy and a surprising amount of gore, though the factory setting is a bit visually drab and some of the goofy stuff did not work as much for me (personal, since I loved all the goofy stuff in Goblin's). The Museum was cool and had a neat central idea but arguably one of the more repetitive houses. A number of the houses were really great, and none were bad.

Scare Zones: Overall pretty solid, but mixed. Duality of Fear is a cool idea and the design of SINIST3R and SURR3AL is very Cenobite-like, which is neat, but the "choose your path" idea did not really materialize, I think, and so it felt a bit like a generic chainsaw zone. Swamp of the Undead has great set pieces but I do wish there was more variety in the scare actors. Demon Queens is a bit sparse but the costume designs are very cool, and I (subjectively) had some of my best scare actor interactions there. Torture Faire is probably the best of the bunch objectively, with a stage show, the biggest number and variety of scare actors, and cool set pieces. For me, the biggest surprise was Blumhouse; although it is essentially a very small photo op area like people have predicted, I had a lot of fun with that (and my best pic of the night was the Happy Death Day killer).

Show: I did not make time for Nightmare Fuel, but I did overhear someone saying in line that it had a great plot, and when someone asked what the plot was, the response was "lots of T&A." So there you go.

Food: I tried a few of the food items - the Red Door from the Insidious food booth, the falafel from Twilight Tavern, the rocks from hell from Slaughter Sinema 2, etc. All were fine, and it is nice to see so many vegetarian-friendly options.

Tribute Store: The theme this year was just not for me - it's still fun to walk through, but not really all that aesthetically pleasing.
 
From the food we tried, the Korean hot dog was good, the fish nuggets were great, glad we did not pay for the mint cheesecake whatever.

I liked Sinema, but I wish they had fewer shorts so some scenes could be better developed. Just felt like you would leave the room w/ the movie poster, see a table, then you are in the next movie poster room.

Leaving around 1:30, I saw a closing ceremony, not sure if they do this, but I've never seen one before.

Few more pics:

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Sorry. Seen a few people mention staggered entrance and not sure what you mean. Do you mean like line pulsing?
 
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TM's have gotten too chatty with this kind of information, which in this case is inaccurate. The crowd levels last night have been known and expected for a long time.

I'm not terribly into the HHN thing and only did a couple houses last night but I'll say Slaughter Sinema was hilarious and very entertaining, and the staggered entrance really does make a difference in how you experience a house. Feels more anxious and you don't feel as bad stopping to admire some details. Scare zones were solid and an improvement on last year for sure, although again with the crowd levels you could focus a bit more instead of trying to maneuver around the oncoming rush of people.

Food items were decent but some of them I can't imagine trying to eat while walking around in a mess of people (the stay puft smore and the pincho, especially). I think some of the items as well will have much more appeal later in the event when it's cooler. Will be curious how some of the lines extend out and affect the crowd flow, especially around the Fallon area.
So you paid $350 for a night you're not terribly into? Hopefully so because if I bought a ticket to a premium event and was waiting behind TMs who popped in for what sounds like free, I'd be a little annoyed.
 
So you paid $350 for a night you're not terribly into? Hopefully so because if I bought a ticket to a premium event and was waiting behind TMs who popped in for what sounds like free, I'd be a little annoyed.
TM's weren't (and aren't) allowed to just roam around as event guests. Sometimes you have to grin and bear it for the other people in your life who are really into something.
 
One of the tough parts about marketing an event like this is obviously attendance and capacity are very closely guarded secrets, so it was difficult to illustrate the degree to what 'limited capacity' meant without using numbers. It was really limited, if that isn't clear by now, by design and not from a colossal sales failure or anything similar.
They also need to announce this super early. Most out of towners, especially the whales who come specifically to do HHN and who would have paid for it would have planned their trips around this event.

People plan their trips a year ahead and can’t change for this late-announced add on
 
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took a gamble at trying tonight over a pass, see what we could do in a night. I did not expect such a selection of (free) food! Not needing an HHN ticket and then an add on made this far cheaper than buying food, adding on express of RiP.

We tried some of the foods we would not normally try. Most of the sweet stuff was gone before we were in the mood for sweets, but nothing for us to complain about, was truly our best HHN experience ever. We could take our time going through houses as well as go through houses as often as one cared.

Lots of potential this year! Insidious is already there, lots of energy, early lead for me. I really enjoyed everything. The only disappointment for me is Bloodline, I love the monster houses, but I do not think this one can be saved, I just think it is not going to work.

Muesum is sort, not sure I liked it, but I did get my biggest scare in there, so go figure. I truly liked everything else.

couple of pics:

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Peter from Slash Film / You Tube in the first photo , small world ha
 
I think in the first year of any special event like premium scream, people are going to wait for reviews from boards like here/influncers/and other social media. People mostly don't want to spend $350 plus going into an event blind. Im sure next year will sell better probably without house waits needing to go up much.
 
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People are saying on FB that they're having to wait to GET OUT of houses. One person said that they waited 20 minutes to leave Insidious because it was so congested.
That’s what happens when 90% of Orlando shows up.

I’m surprised that I haven’t seen too many “express is too long” posts yet
 
That’s what happens when 90% of Orlando shows up.

I’m surprised that I haven’t seen too many “express is too long” posts yet
There seems to be a concerted effort to make Express super-fast. Did four houses, ranging from 45 to 85 minutes, only one had an Express wait over 10 minutes--it was still under 20, and yet the line attendant apologized for the delay.

...

I skipped stay & scream but multiple reports from friends (with pics) of it being a cluster, at least NY. And assuming standby lines were accurate, no improvement there. Also, even with all the new pop-up bars, line for Finns stretched out the door, which is rare.
 
2024 and we still don't have a HHN general discussion thread. In that case I'll just ignore the ttitles and post going with the flow of the discussion.

Universal still has a lack of control over express numbers but yet has to make sure express does not get too backed up. They got a lot of flak for it last year when they cleary oversold express and thus lines express lines were long with some poeple with express unable to get all the houses done. On opening night this would make the experience miserable and impossible to have a good time without it even with good planning. In theory universal has limited express sales somewhat on the multi day passes, but we don't really know that is true vs those passes just selling out faster. Universal is too hooked on that express money to try too much to make anything much better for single day guests. In any case the worst time to go is pretty much weekend one now. We will have to see in the next few weeks what the numbers tell us.