I was under the impression she was a projection, for one, as a reason that moment works is the forced perspective. Second, the bow of the ship is higher and narrower than a double-wide trailer. That allows you to actually see what’s happening from the ground. She also has a motion that draws her to the railing. None of the visual, performative aspects of the MoP scene lend to that.
Didn’t they play For Whom the Bell Tolss at the Zombieland Scarezone?
What about the Beetlejuice facade? Granted it was on an elevated ramps; and did a range of wide actions. Performative aspects may not bring attention, but good lighting sure does
But to my point, that was a facade.
I agree with the original point from saint.piss; a structure similar to the dead man’s pier violin scene would be the way to faithfully recreate the scene. I don’t think we will be stuck on a character’s perspective or narrative beats for this house, specially how the past two ST houses present iconic scenes.
You'd have to essentially have 2 identical rooms with the Eddie in place atop the trailer that you'd shunt guests back and forth between for breaks, sorta like a reverse of the Zuul/Dana chair swap from Ghostbusters (I think this was the swap at least, whichever scene rotated to swap in new scareactors).
You're acting like it's confirmed, don't lose hope yet dang
I wanna see eleven taking that helicopter down. To me that was the most iconic scene. Her dark phoenix moment. Her playing with it by spinning it around before the final pull. Loved it. She was enjoying it.
I always pictured it as the ending - the "We came, we saw, we kicked its ass!" moment, if you will.
My thoughts exactly. I don’t even agree that it doesn’t fit in the Vecna story; even if the house only features the Hawkins plotline, Eddie’s death is a pretty major part of that plot.
some things regarding scare actor casting or the scene itself?
