We'll see. I'm glad you enjoyed it, and it's nice seeing a funny, formally inventive movie about an immigrant family break out like this, even if I felt there were some parts that were less successful. I think in particular, its treatment of the experience of being a gay child of immigrants doesn't ring true at all - even when I was watching it for the first time, it just felt too easy, too Hollywood. It's often difficult to predict what'll be remembered in the future; 15 years ago, Slumdog Millionaire had a similarly insane Oscar run, and a year before that, Juno was a similar comedic sensation, but you'd be hardpressed to find people who love and talk about those movies today.
It'll be really interesting to see what all the people involved do after this, and despite not being the biggest fan of this movie, I'm really, really excited for The Daniels' next project. They have a blank check now courtesy of Universal (who now look like geniuses for locking them down in August), and it'll be fascinating to see what's next from them. If Juno or Slumdog are discussed at all in the culture, it's usually in the context of the careers of their filmmakers and actors and how they shifted and evolved and matured as artists after their big zeitgeist moment. I predict The Daniels will be similarly fascinating to examine 20 years down the line, hopefully not just for EEAAO, but for all the crazy and original movies they get to make as a result of its phenomenal success.
(That having been said, my biggest hope after this season is that Todd Field makes another movie, like, now rather than in 15 years).