I mean Universal made the film
They are profiting off the event by the event
I will say yea, it’s not the best ideal politically but it’s the last big hot they made that uses practical events. So it’s why I suggested it.
It’s not that I dislike the earth quake segment but it’s based off a film That almost no one knows
Jaws, kong, the courthouse and psycho house are iconic to film. I’d like the tram to focus more on those and have relevant films.
Also I’m not against universal doing a project stardust buttttttt I’ve not heard a word about that here.
I also think it’s pointless for the parks to get this packed for so long and increase profits if it’s not to get more potter, Zelda, (Nintendo just had a great quarter because of how well the last game sold), dreamworks and other lands.
The park is too small and would be a waste of all they have laid down now just to stop here and go back to replacing old attractions and not increasing capacity and the amount of things to do
Just because they are profiting off of a film, it doesn't mean something is ideal to do so.
It's not like NOPE where it's a Sci-FI Horror flick with a core premise and air of mystery that allows itself to be marketable (Especially with a core location already blending in with USH), nor is it like Earthquake or Jaws where it takes you into situations that are nigh impossible to really replicate (same goes for Kong 360 and Supercharged). What you are suggesting, is to have something based by and large: off of an adult war drama that has
noooothing that can be of use of it.
And once again, you entertained a political war drama on the creation of the
FREAKING atomic bomb, something that had murdered hundreds of thousands of people in quick succession.
The Studio Tour is built, off of the preservation (however you can) and showcasing of the history of the Universal Pictures backlot; while also giving you the sense of being drawn into experiences that can only be replicated in ways befitting the material represented. It is a time to showcase the future, as we have seen with NOPE, and as we have seen with Supercharged (which works for USH despite it not being great or fantastic, allowing something to fill that spot for the time it should've been there).
But it is in *how* you represent yourself that matters the most.
And that's not to say Oppenheimer isn't an important film--if anything it might be the most important film of the year due to how Nolan is able to justify a near B/W war drama with the high expectations he and the audience places it. But just because of the practicality, just because of the scale Nolan achieved--does not mean it distinguishes and qualifies itself to work for the tour.
It's why I love NOPE, because it taps not into physical effects, but auditoria mixing and editing. One of NOPE's most defining elements outside of what makes it amazing, is the fact that it is on the sound level--one of the most terrifying modern horror films that has come out.
And I think that while I wish it was indoors, the showcasing of how they handle sound mixing and how it envelops and surrounds the trams makes it as much a valid experience as it can be. It being as part of the Tram is sensical, because the film links itself with the element of spectacle--just not the way people think of it.