Omg there are so many freakin video games I want to see at HHN. Bioshock included.We can dream
Outlast
FNAF
DBD
Fallout
Resident Evil 7
Dead Space
Omg there are so many freakin video games I want to see at HHN. Bioshock included.We can dream
If TLOU ends up being great then it will (hopefully) open the flood gates.Omg there are so many freakin video games I want to see at HHN. Bioshock included.
Outlast
FNAF
DBD
Fallout
Resident Evil 7
Dead Space
I can agree but I always love giving credit to Jak II and The Last of Us Part I as I feel they were the biggest jumps in Naughty Dog’s writing and storytelling. And I just prefer the more fantasy world of Jak from a creative and artistic standpoint.
This is MY white whale IP. I know it’s a long shot as it’s not exactly culturally relevant at the moment hahaWe can dream
Omg there are so many freakin video games I want to see at HHN. Bioshock included.
Outlast
FNAF
DBD
Fallout
Resident Evil 7
Dead Space
Bioshock would be great, so would Dead Space or RE7.If TLOU ends up being great then it will (hopefully) open the flood gates.
There’s usually a pattern on the current 5/5 split:Bioshock would be great, so would Dead Space or RE7.
However, it doesn't really matter how great or how terrible TLOU is. TLOU is only happening this year because of how relevant it became among people who've never played the game and it is a marquee IP because of it. So while some of these may be great options, TLOU is only here because of the show it was based on.
So going forward, there is a FNAF movie coming out. With it being a Universal/Blumhouse film, I think this is almost a guarantee to happen at some point if the movie is a hit. Resident Evil has the cache of being a franchise that has made over $1.2B worldwide over the course of 7 films, although the most recent reboot was hampered at the box office by covid recovery and a bad movie. But the first six movies did really well for the size of the budget. RE7: Village is pretty much made to be experienced as a HHN type experience, it's possible, but I wouldn't bet on it.
Essentially, any game that wants to play at HHN needs to have some sort of mainstream appeal. Silent Hill made it to the event based on the movie, not the game if I remember correctly. During a time where we seemingly have more good horror than ever before for Universal to choose from in terms of IP for the event, You have to either be really big in the pop culture zeitgeist (The Last Of Us, Stranger Things, The Weeknd last year) or be a legacy Horror IP (Chucky, The Exorcist, Monsters). If you don't fit into one of those two lanes, you're going to have a tough time as an IP getting into the event unless you're Blumhouse.
Bioshock would be great, so would Dead Space or RE7.
However, it doesn't really matter how great or how terrible TLOU is. TLOU is only happening this year because of how relevant it became among people who've never played the game and it is a marquee IP because of it. So while some of these may be great options, TLOU is only here because of the show it was based on.
So going forward, there is a FNAF movie coming out. With it being a Universal/Blumhouse film, I think this is almost a guarantee to happen at some point if the movie is a hit. Resident Evil has the cache of being a franchise that has made over $1.2B worldwide over the course of 7 films, although the most recent reboot was hampered at the box office by covid recovery and a bad movie. But the first six movies did really well for the size of the budget. RE7: Village is pretty much made to be experienced as a HHN type experience, it's possible, but I wouldn't bet on it.
Essentially, any game that wants to play at HHN needs to have some sort of mainstream appeal. Silent Hill made it to the event based on the movie, not the game if I remember correctly. During a time where we seemingly have more good horror than ever before for Universal to choose from in terms of IP for the event, You have to either be really big in the pop culture zeitgeist (The Last Of Us, Stranger Things, The Weeknd last year) or be a legacy Horror IP (Chucky, The Exorcist, Monsters). If you don't fit into one of those two lanes, you're going to have a tough time as an IP getting into the event unless you're Blumhouse.
Do you think a game by itself just being popular or “in the mainstream” is enough without any show or film to be considered for HHN?Bioshock would be great, so would Dead Space or RE7.
However, it doesn't really matter how great or how terrible TLOU is. TLOU is only happening this year because of how relevant it became among people who've never played the game and it is a marquee IP because of it. So while some of these may be great options, TLOU is only here because of the show it was based on.
So going forward, there is a FNAF movie coming out. With it being a Universal/Blumhouse film, I think this is almost a guarantee to happen at some point if the movie is a hit. Resident Evil has the cache of being a franchise that has made over $1.2B worldwide over the course of 7 films, although the most recent reboot was hampered at the box office by covid recovery and a bad movie. But the first six movies did really well for the size of the budget. RE7: Village is pretty much made to be experienced as a HHN type experience, it's possible, but I wouldn't bet on it.
Essentially, any game that wants to play at HHN needs to have some sort of mainstream appeal. Silent Hill made it to the event based on the movie, not the game if I remember correctly. During a time where we seemingly have more good horror than ever before for Universal to choose from in terms of IP for the event, You have to either be really big in the pop culture zeitgeist (The Last Of Us, Stranger Things, The Weeknd last year) or be a legacy Horror IP (Chucky, The Exorcist, Monsters). If you don't fit into one of those two lanes, you're going to have a tough time as an IP getting into the event unless you're Blumhouse.
A game can be hugely popular among gamers, much like The Last Of Us before it was adapted, but if normies don’t know what it is, there’s no shot of if coming imo.Do you think a game by itself just being popular or “in the mainstream” is enough without any show or film to be considered for HHN?
TLOU is only happening this year because of how relevant it became among people who've never played the game and it is a marquee IP because of it.
Neil has been saying he wanted TLOU to come to come to HHN for over half a decade. It’s happening because the show made the IP popular in the mainstream.It's happening this year because Neil is a fan and reached out to Mike.
It does feel like we're in an interesting time for theme park/video game crossover though. It seems like we've entered an era where a large number of games are getting movie/TV adaptions that actually make large profits and aren't complete flops (Sonic, Detective Pikachu, Uncharted, TLoU, Super Mario, Mortal Kombat, The Witcher, D&D, etc). We've got movies for FNaF, Silent Hill, Bioshock, etc all in the works. Etc. If there was ever a time for potential crossover, now feels like it would be it. Would love to see TLOU pave the way for others.Neil has been saying he wanted TLOU to come to come to HHN for over half a decade. It’s happening because the show made the IP popular in the mainstream.
Genuine question that I don't have the answer to: I agree that the HBO show pushed this house into existence. But what makes a film like Killer Klowns, which is more of a niche B-movie, or Crypt TV, which is a literal YouTube channel, appropriate for modern HHN whereas (pre-HBO show) TLOU, a horror video game series that grossed $1 billion as of 2020, is not?Video games feel like such a niche appeal compared to film. The only way they're appearing at the event is if they're intrinsically tied to a super popular film or television series. TLoU would not be coming to the event if it wasn't just a huge series.
I'd love to see the medium explored at HHN but there's a myriad of problems with the translation.
Someone who loves the film made a heartfelt pitch, came up with an easy to follow design, no one bat an eye at spending little money for a cult house that wouldn't take up much space within the event overall. Crypt TV felt like a mutual partnership and was just a scare zone, so even less space within the event parameters.Genuine question that I don't have the answer to: What makes a film like Killer Klowns, which is more of a niche B-movie, or Crypt TV, which is a literal YouTube channel, appropriate for modern HHN whereas (pre-HBO show) TLOU, a horror video game series that grossed $1 billion as of 2020, is not?
It’s silly to discount the popularity of videogames in a theme park that is literally added a video game portion to their parks to wild success.
As mentioned prior , I was on the fence about this year until last of us was announced. That would have happened if the show was released or not.
Don’t underestimate the gamer / horror audience , as I would imagine that diagram falls fairly parallel.
Killer Klownz was sort of like AWIL and Trick ‘r Treat among others. Simply put, they were IPs that A&D had been fighting for for awhile or thought would fit the vibe of the year well (in the case of Klownz).Genuine question that I don't have the answer to: What makes a film like Killer Klowns, which is more of a niche B-movie, or Crypt TV, which is a literal YouTube channel, appropriate for modern HHN whereas (pre-HBO show) TLOU, a horror video game series that grossed $1 billion as of 2020, is not?
Gaming is not niche, atleast not anymore.
Gaming has pulled in more money (grossed) then films have for a long time.
Not to mention the industry is estimated five times as big as the film industry.